Susan Sontag On Photography Summary

Susan Sontag claims in her passage On Photography that photography limits our understanding of the world. In the essay America Seen through Photographs Darkly in her On Photography Susan Sontag inspects visions of America through the eyes of photographers and especially Diane Arbus.

Cultural Reader Susan Sontag On Photography Summary

She claims that people erroneously think of photography as representing reality and connecting them with it more directly than other art forms do.

Susan sontag on photography summary. Although he finds Sontag. Second time around its a bit more accessible but the sheer density of ideas in it makes it a challenging read. However the truth is that photography enhanced our understanding of the world.

Access to reality but also a means of control. On Photography is a collection of essays by American writer academic and activist Susan Sontag. Every page of On Photography raises important and exciting questions about its subject and raises them in the best way The New York Times Book Review On Photography is to my mind the most original and illuminating study of the subjectCalvin Trillin The New Yorker.

It allows us to see things that would be otherwise impossible to see. Susan Sontag wrote that today everything exists to end in a photograph and since then highlight the dual status of photography. This book is a collection of essays by Susan Sontag first published in 1977.

Susan Sontags 1977 monograph On Photography is composed of six named chapters or essays which form a weakly related progression from conceptualization through history and implementation to the then-current understanding of photography as a process and an art form. Photography she argues turn a moment into an event that is worth photographing but photography is also ideology because a photograph can be seen as a way of looking at things in everyday society. First published in 1977 it brings together a series of nonfiction pieces originally published in The New York Review of Books between 1973 and 1977.

A Response to Susan Sontags Essays on Photography Soundings 68 no. The medium is the photography and therefore the message and the maker controls the message. Seeing and Being Seen.

Susan Sontags On Photography is a text that every photography theory student grapples with at one point or another. Susan Sontag claims that photographs are not just an interpretation of reality but serve as an imprint of reality. It brings together a series of nonfiction pieces originally published in The New York Review of Books between 1973 and 1977.

1-Page Summary of On Photography Overall Summary. Susan Sontag argues that photography does the same thing appropriating reality to give people an image of it. Such photographic images are capable of replacing reality by virtue of being not only a mirror or interpretation of in but also a relic of reality something that is taken straight from it.

She refers to Ludwig Feuerbachs 180472 book The Essence of Christianity 1841 and Platos cave metaphor noting that both men thought people preferred the image to the real thing it represented. Susan Sontag was born in New York City on January 16 1933. Sontag argues that photography does not allow people to truly understand things and that it does not teach any ethical.

Of course this modern day was the 1970s but many of the key elements described in the collection of essays still remain relevant. I read it myself a good year before starting this course but if there was ever a case of something you read going in one eye and out the other this was it. For the most part she describes the relationship between photography and capitalism in society.

Photography according to Susan Sontag holds an almost unlimited authority in modern society. Susan Sontag On Photography In Melancholy Objects one of many essays featured in her 1977 collection On Photography Sontag analyzes the photograph as a cultural and historic object to establish distinct ideological and ontological paradigms between American and European photography. Sontag recognised the medium as a product of modernity the social formations of which have instrumentalised photography in particular ways entirely reflective of its own historical contradictions.

Her critique of photography then is indirectly a critique of modernity itself in the form of what she repeatedly describes as an industrialised consumer society. In the six essays included in the book Susan Sontag explores the cultural literary historical and philosophical background of photography. She starts off with the vision of Walt Whitman who rejected the distinction between beautiful and ugly for a cause of seeing America united in perception.

In On Photography Susan Sontag discusses what she believes photography does to society in the modern day.

Cultural Reader Susan Sontag On Photography Summary

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